buromarks:

Fuck Bolds, Italics, Underlines, Strikedthrough, Borders, Strange Formats, Different Font Sizes, etc.

(via thegraphicsideof)

comic by Ben Marcus

(Source: benmarcus)

criticalgraphicdesign:

(via Yolo Black Version Art Print by Office Party | Society6)

Table of Contents for Twen magazine designed by Willy Fleckhaus

ftff:

Poster trade just netted: Lo-Res Book: Catcher in the Rye by Benjamin Shaykin, 2013. 

(via jessysmith)

agi-open-london:

Muriel Cooper — MIT Press logo, MITP (1963)

(via nicool)

(Source: chainlinked)

Self Portrait of Barney Bubbles by Barney Bubbles

more here

kingtrash:

left this in Lala’s sketchbook and forgot about it. she helpfully e-mailed me a 1200 dpi scan of it

roidlife:

One of six illustrations I did for The Fader Issue #84

(Source: helloyoucreatives)

(Source: nyaskolandesign)

londonbookarts:

via The Milanese

Ed Ruscha with six of his books on his head, Photograph by Jerry McMilan, 1970.

jkjkjkjkjkjkjkjkjkjk:

jesuisperdu:

fek:

Barbara Kruger’s never really talked about Supreme, the skate company who’s been ripping off her ideas and prints letter for letter, color for color, for their red-and-white logo, which you have seen, because it is everywhere. 

I emailed her casually to ask her about this. And today, she got back to me, and gave a candid statement on the matter of Supreme for the first time, ever, really. By emailing me a blank email, with an attachment. Which you can see above.

??!??

I can’t believe it’s taken this long for Barbara Kruger to be asked about Supreme, but actually, why not, I am sure she does not normally concern herself with the aesthetics of snapback hats.